D.K. Printworld (P) Ltd.
A Classical Dictionary of Hindu Mythology and Religion
The main portion of this work consists of mythology, but religion is bound up with mythology, and in many points the two are quite inseparable. Of history, in the true sense, Sanskrit possesses nothing, or next to nothing, but what little has been discovered here finds its place. The chief geographical names of the old writers also have received notice, and their localities and identifications are described so far as present knowledge extends.
Abhinavagupta’s Hermeneutics of the Absolute Anuttaraprakriya
This study by Bettina Baumer is important and welcome because it deals with what may well be considered as the very core-metaphysically and mystically-of Abhinavagupta's teaching, and of what he still can tell and teach us. Its importance is, of course and foremost, due to the fact that it deals with a work by Abhinavagupta who-as Bettina Baumer forcefully says in her introduction-is undoubtedly one of the most remarkable.
Aditya Hrdayam
Advaita A Conceptual Analysis
Bull in Early Indian Art
Decolonizing Indian Studies
The present Indian academic self-understanding of its history and culture is largely Western in origin. This Western intellectual enterprise, however, went hand in hand with a Western political enterprise, i.e the colonzation of India. This raises the question : To what extent, if any, did the two developments influence each other ? It also raises another question : To what extent did West's cultural presuppositions influence its understanding of Indian civilization.
Dimensions of Panini Grammar
Eighty-Four Asanas in Yoga
Physical postures are the most important and often the only constituent of modern Yoga. Many practitioners believe that the postures derive from an ancient original set of eighty-four asanas. This book, for the first time, traces traditions of eighty-four postures by examining original materials, including drawings, descriptions in older Indic texts and modern publications which reflect contemporary traditions.
Elements of Indian Art
The book is a study of the fundamental principles of ancient Indian art and architecture, dealing with essentials of Hindu thinking and practice of art like the Hindu view of Godhead, iconography and iconometry, and symbols and symbolism in Hindu art. It undertakes a survey of Indian art and temple architecture from the 3rd century BCE through the mediaeval period. It elaborately views the various terms and concepts associated with the field of art and iconography like mudras, asanas, pithas, explaining the nature of Buddhist and Jain deities as well as those of Hindu sects like Saivism, Vaisnavism and Saktism.
Exploring Medieval India Through Persian Sources
Hindustani Music
The book makes complex musicological concepts accessible to non-academic readers, and contributes significantly to widening the understanding of contemporary trends in Hindustani music. Written by an author of impeccable credentials as a musician, researcher, and author, this book is a very significant addition to the body of authoritative writing on 20th century Hindustani music.
