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Action Freedom and Responsibility
This book, a work on human doing, analyses and applies three central aspects of human life - Action, Freedom and Responsibility - in the wide spectrum of the Philosophy of Mind. Reflections on these issues and their interconnections have a significant effect on the Philosophy of Value and application of ethical theories in practical life.
Advaita Metaphysics
This book undertakes the study of Advaitavada of sankara in its depth and extension. It spells out the relative cogency of Malkani's understanding of Advaita Metaphysics and Methodology, Murty's Critique of Advaita (nondualism) and Misra's Philosophical Construction of Advaita from a linguistic perspective. This volume centres around the formulations of the Advaita theory of monism on the basis epistemological and logical analysis of knowledge in Adhyasa Bhasya.
Advaitic Mysticism Of Sankara
This book attempts to elaborate and clarify Sankara's understanding of brahmannubhava, in all its aspects, relying exclusively on his own writings. For this, not only the commentaries, but also the prakarana granthas have been taken into account. In the final chapter, brahmanubhava is compared with what was said about the mystic experience by two of the most authoritative exponents of christian and Islamic mysticisms, namely st, John of the cross and Jalalu' d-Din Rumi, mainly to understand Sankara's position without any ambiguity.
Aesthetics
An Introduction to the Study of Indian Poetics
Art Beauty and Creativity
The book is an attempt, among other things, to bring together Indian and Western theories of art, and engage them in a constructive debate with one another. In recent philosophical thinking about art, it has been suggested that the concept of art is a local institutional concept. It is institutions located within a culture that determine-so the argument goes- whether and whether it is good or bad art. While this may be true ofthe concept of art, as it taken the shape in modern west, there is, surely, a larger, more global concept of art which links it with our concern, the beauty,which is common to all mankind.The book is an attempt, among other things, to bring together Indian and Western theories of art, and engage them in a constructive debate with one another. In recent philosophical thinking about art, it has been suggested that the concept of art is a local institutional concept. It is institutions located within a culture that determine-so the argument goes- whether and whether it is good or bad art. While this may be true ofthe concept of art, as it taken the shape in modern west, there is, surely, a larger, more global concept of art which links it with our concern, the beauty,which is common to all mankind.
Blissful Experience Bhakti
Chandragupta Maurya
Classical Indian Dance in Literature and the Arts
The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhasa, Kalidasa, Sudraka, Bhavabhuti, Abhinavagupta, Jayadeva and many more along with numerous Bhasa scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian sub-continent.
Fundamentals of Indian Philosophy
Indian philosophy reflects some of the earliest thought-traditions in human history. Its foundations can be traced to ancient minds and their capacity for insatiable curiosity and constant meditation. The Indian thinkers of old aimed their pragmatic philosophies at not just the satisfaction of intellectual curiosity or pursuit of theoretical truths but actually the assimilation of intellectually discerned and established truths into one's own personality for a life of freedom and enlightenment. This is true of modern Indian philosophers, like Sri Aurobindo and Dr. Radhakrishnan, as well. Fundamentals of Indian Philosophy reflects the vastness and richness of this philosophic tradition in a comprehensive and all-embracing yet compact presentation that lays bare the essentials of Indian philosophy.
Hindustani Sangeet And a Philosopher of Art
The book is decidedly the very first of its kind. It seeks to weigh some basic facts and concepts of Hindustani sangeet (music, rhythm and Kathak dance) against the art theories of Susanne K. Langer, an eminent aesthetician of the recent past; But now here without meticulious attention to the text of her writings. In the chapter on music, while discussing Langer's emphasis on 'commanding form' in a total performance, the author proposes a quit new defination of raga which seeks to integrate the various points in its traditional characterizations. The third chapter too, which deals with Langer's view of rhythm, is not merely explanatory, but ventures to propose a fresh and fairly defensible definition of rhythm.
Idealistic Thought in Indian Philosophy
The author has attempted to show how the Idealistic thought of a primary stage reached its acme step by step.The book explains what Idealism signifies in its different shades with special reference to the Idealistic schools of Indian Philosophy and also speaks about the rise and growth of Idealistic thought from the Vedic times till the final establishment of Drsti-Srsti-Vada in the Kevaladvaita Vedanta vis-a-vis the Srsti-Drsti-Vada of the same school.