Tripura Rahasya The Mystery of Goddess Tripura (Jnana Khanda)
₹825
| Author, Editor or Translator | Javier Ugaz and Avinash Chandra |
|---|---|
| Bound | PB |
| Country of origin | India |
| Number of Pages | 205 |
| Publisher | INDICA BOOKS |
| Weight and Dimension | 300gm. 21.7×14.3×1.3 Cm. |
| ISBN | 9789381120484 |
In stock
Description
The Mystery of the Goddess Tripura is a treatise that presents the mythology, theories, and practices related to the goddess Tripura Sundari. It is part of the corpus of samhita texts of the Sakta tantric literature and is part of the canon of the Srividya tradition.
Srividya is the most intellectual sakta initiatory path among all the Tantric currents; as an integral part of cognitive enquiry (jnana vicara), along with Advaita Vedanta it is also known as Brahma Vidya. The Srividya tradition is a traditional lineage that integrates Veda and Tantra in a particular style. The jnana khanda is presented as the essence of Vaidika, Vaisnava, Saiva, Sakta and Pasupata knowledge.
Srividya conceives of the highest reality as feminine: the goddess Rajarajesvari or Tripura Sundari. “The most beautiful of the three cities” — meaning the three worlds (loka-s: earth, heaven and the intermediate or psychic world), the three bodies of man (physical: sthula; subtle; suksma; causal: karana) and the three states (waking: jagrat, dream: svapna; deep sleep: susupti). It is the Consciousness behind everything that exists, transcendental and non-dual. In this supreme Consciousness, identical to Atman, the universe is reflected like a city is reflected in a mirror.
The symbolic structure (mandala, yantra, cakra) specific to Tripura is the Sriyantra or Sricakra.
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ध्रुपद पञ्चाशिका
पंडित ऋत्विक सान्याल हिंदुस्तानी शास्त्रीय संगीत (ध्रुपद ) के सुविख्यात ध्रुपद गायक हैं। वे विगत ३५ वर्षों से अनवरत देश-विदेश में ध्रुपद के पुनर्जागरण , प्रचार एवं प्रसार में सक्रिय हैं।
इस संस्करण में स्वयंकृत रचनायुक्त ५१ ध्रुपद हैं, जिनमे अनेक पद भी स्वरचित हैं। अखण्ड आकार , कण , आंदोलन , बलाघात , मींड , गामक आदि को दर्शाते हुए रचनाओं को प्रस्तुत किया गया है , क्योंकि इन सभी का प्रयोग ध्रुपद की डगर-परंपरा में अतिशय ध्यानपूर्वक किया जाता है।
इस किताब की अहम् खासियत यह है की इसमें पंडित सान्याल ने केवल सुर-ताल-पद की नई बंदिशें ही नहीं दी हैं, बल्कि एक ऐसी नै स्वरलिपि (नोटेशन) भी ईजाद की है जो हमारी गायकी में स्वर के 'उच्चार' की खासियतों, खास अंदाज़ों, स्वरों की अनगिनत छटाओं को भी बहुत-कुछ उजागर कर सके. अभी तक जितने प्रकार की स्वरलिपियाँ बनीं और प्रयोग में लाई जा रही हैं, उनमें स्वर लगाने की बारीकियों को दिखाने लायक इतने संकेत-चिन्ह मौजूद नहीं हैं. उस कमी को महसूस करके पंडित सान्याल ने जो यह नई व बहुत बेहतरीन स्वरलिपि की उपज की है. यह स्वरलिपि अपने आप में संगीत जगत को एक बड़ी अहम् देन साबित होगा.

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