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Adhyasa
The concept of Adhyasa in its three variants has to be asserted from the non-contradictory ground of Reality. In this context, there is a need to differentiate 'mere appearance' (as it appears) and 'the actual appearance' (as it is) or the unmanifest Reality. It cannot be denied that the concepts of 'Brahmatkaikya' and 'Brahmabhava' created confusion in many thinkers, but the authentic explanations by Sri Sankara steadfastly made the Advaitic perspective unchallengeable in all the times.
Aditya Hrdayam
Advaita A Conceptual Analysis
Advaitic Mysticism Of Sankara
This book attempts to elaborate and clarify Sankara's understanding of brahmannubhava, in all its aspects, relying exclusively on his own writings. For this, not only the commentaries, but also the prakarana granthas have been taken into account. In the final chapter, brahmanubhava is compared with what was said about the mystic experience by two of the most authoritative exponents of christian and Islamic mysticisms, namely st, John of the cross and Jalalu' d-Din Rumi, mainly to understand Sankara's position without any ambiguity.
Aesthetic Principles of Indian Art
Aesthetics
Agamas in Indian Dramatics and Musicology
Age of The Nandas & Mauryas
The age of the Nandas and Mauryas (c. 400-185 B.C.) witnessed great changes sweeping over the face of Western Asia, over lands with which India had much to do from the dawn of history, and account must be taken of their effects, direct and indirect, on the political, economic and artistic life of India. In this seminal period when Indo-Aryan civilization may be said to have attained its maturity, India did not hesitate to borrow political and economic plans and artistic motifs from abroad, and put them to the most appropriate uses in her own institutions and monuments.