Boris Marjanovic

Abhinavagupta explains in his commentary that he undertook this work because he felt that his predecessors when commenting on the

Abhinavagupta, probably the greatest genius of India in the fields of philosophy, aesthetics, poetics, dramaturgy, Tantra and mysticism, is being rediscovered only in the last few decades. Although several scholars, in India and abroad, are engaged in studying his works, it is surprising that there are still few translations available.