Taj Mahal (Colour comic book)

350

The Mughal dynasty of India began in the first half of the 16th century, after the conquest of Delhi by

Tarkabhasa

125

Tarkabhasa or ‘Exposition of Reasoning‘ of Kesava Misra is an elementary treatise on the Nyaya System. It explains, in brief, the

Tattvamasi The Direct Way of Advaita Vedanta. Advitiya Sakshat Sadhana

795

Advaita Vedanta is the simplest doctrine (siddhanta) and method (prakriya) of Sanatana Dharma, since it required neither prior cultural preparation

Textiles of Banaras

1,850

Banaras, usually known as a religious and cultural centre, is also famous since antiquity for its textile industry. Banaras textiles

The Ananda-vana of Indian Art

850

Prof. Dr. Anand Krishna needs no introduction to the world of Indian Art and Culture. With his experience of study,

The Aphorisms of Siva

750

The Siva Sutra was revealed to Vasugupta by Siva in order to counter the effects of dualism. This revelation initiated the hermeneutics of synthesis

The Book of Aghor Wisdom

495

The followers of the Aghora path try to cultivate a state of mind and social practice totally non-discriminatory. Seeing the

The Crisis of the Modern World

525

In The Crisis of the Modern World, published for the first time in 1927, Guenon writes a relentless and radical

The Ganga Trail Foreign Accounts and Sketches of the River Scene

750

Starting with the Greek Megasthenes who noticed the Indians worshipping the Ganga in 302 B.C. and ending with the New

The Goddess and The Slave The Fakir, the Mother and Maldevelopment

495

Drawing upon the rich inter-connected levels of meaning within the Fakir culture, especially with respect to the living, breathing paradigmatic Mother--as Nature, as the Goddess to be worshipped and as the mother whose service is her identity--The Goddess and the Slave demonstrates the crisis faced by the unique Baul-Fakir sadhana, by the non-urban Bengali, and by Indian society itself through the major changes brought by modernization and globalization.

Rudrani Fakir, as an anthropologist and as a practitioner, uses the Fakir sadhana as a critical tool of understanding, presenting this objective study through her highly engaged subjective perspectrive. The first part of this book outlines the Fakir society and esoteric sadhana. The second part delves into the decline and decay of the reality of the Goddess, the changing status of women and of the true nature of wealth, and draws together the threads of the old knowledge paradigms--esoteric and modern, spoken and wordless, powerless and empowered.

The Hindu Conception of the Deity as culminating in RAMANUJA

850

The Aim of this work is twofold - firstly, to deal with such conceptions of the Deity as led to Ramanuja's views (the Upanisads, the Bhagavadgita, Vaisnava portions of the Mahabharata, the Visnu Purana, the Bhagavata Purana, and the Hymns of the Alvars, all of which directly influenced Ramanuja's view of the Deity), and secondly, to deal with Ramanuja's own conception of the Deity

The Hindu Pantheon in Nepalese Line Drawings

595

This book reproduces line drawings of the pantheon of deities described in chapter 6 of the Pratisthalaksanasarasamuccaya from two 17th century Nepalese