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Classical Indian Dance in Literature and the Arts
The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhasa, Kalidasa, Sudraka, Bhavabhuti, Abhinavagupta, Jayadeva and many more along with numerous Bhasa scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian sub-continent.
Susrutasamhita (3 Vols ) of Maharsi Susruta Translation of text & Nibandhasangraha Commentary of Sridalhana
Sri Tantralokah by Abhinavagupta (6 Vols.)
The Ubiquitous Siva
The Practical Panchakarma Therapy
Hindu Law In Its Sources (VOL-1)
Abhinavagupta’s Hermeneutics of the Absolute Anuttaraprakriya
This study by Bettina Baumer is important and welcome because it deals with what may well be considered as the very core-metaphysically and mystically-of Abhinavagupta's teaching, and of what he still can tell and teach us. Its importance is, of course and foremost, due to the fact that it deals with a work by Abhinavagupta who-as Bettina Baumer forcefully says in her introduction-is undoubtedly one of the most remarkable.